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| Jupiter and Juno on Mount Ida by James Barry, 1773 (City Art Galleries, Sheffield.) |
It is a common thought, indeed
one I admit to holding myself in the past, that each god is powerful in their
own right but that there is also a strict hierarchy of power; with Zeus at the
top, followed by the remaining ‘Great 12’ Olympians, then the lesser gods,
Nymphs .etc. However, Homeric Hymn 5 illustrates that power amongst the gods
was not so straightforward. Homeric Hymn 5 states that Aphrodite, herself one
of the ‘Great 12’ has power, through her affinity with love/lust, over 8 of the
remaining 11 Olympians, including Zeus, along with all other creatures;
immortal, mortal and in between. This illuminates an interesting power struggle
between Zeus and Aphrodite; it could be argued that Zeus was always more
powerful because he did not have limitations on his power as Aphrodite did, in
that she had no power over Athena, Artemis and Hestia. However, as I will move
onto next, gods could always find ways around their power limits. The fact that
Aphrodite proved a real threat to Zeus’ authority could be argued through the
final parts of Homeric Hymn 5 in which Zeus makes Aphrodite lust after a mortal
man (how is unknown) so that she can no longer mock the other gods for the
pairings with mortals that she forces upon them. Essentially what Zeus does is
to ‘bring her down a peg or two’, he regains some of the power over himself and
the other gods that Aphrodite had and which Zeus may have felt was rightfully
his.
As I have mentioned, power
amongst the Greek gods was not a simple chain of command, both with regards to who and what each god held power over. It may be best to lead by example
with this point; In Homer’s Iliad Hera, as the wife of Zeus, holds no power
over the King of the gods. She can implore him to make decisions which match
her objectives but she cannot command him or physically over power him to do
so. However, in book 14 Hera tricks Aphrodite to gain a temporary power over Zeus,
in effect ‘borrowing’ Aphrodite’s power over her husband for her own gain.
So then the Ox-eyed queen Hera wondered how she might fuddle the mind of Zeus...she set out from her room, and called Aphrodite aside from the other gods, and said to her: 'Now, dear child, will you do something for me that I tell you- or will you refuse out of anger that I side with the Danaans while you help the Trojans? Then Aphrodite, daughter of Zeus, answered her: 'Hera, queenly goddess, daughter of great Kronos, say what is in your mind. My heart prompts me to do it, if I can and it is something possible.' Queen Hera answered with deceitful intent: 'Give me then Love and Desire, the power with which you overcome all the immortals and mortal men alike...' (Iliad:14:150-230)
This episode was captured rather well by James Barry (picture at the start of this posting), who's portrait could be argued to show Hera in quite a dominant stance, which may suggest the power she has over Zeus at that particular moment in time. It is arguable that the 'Seduction of Zeus' scenes in the Iliad illustrate how
complex, contradictory and manipulative the Greek polytheistic system could be
regarding power play between the immortals.
References:
Homer, (1987) The Iliad, Hammond, M. (trans.) London: Penguin Group
Parker, R., (2011) On Greek Religion, New York: Cornell University, p89
Parker, R., (2011) On Greek Religion, New York: Cornell University, p89

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